Maximalism in tiny spaces: New Zealand interior designer Neil McLachlan goes bold in a 65sqm apartment in Bloomsbury
A top interior designer has a new London pied-à-terre and a modern side business — one that builds on the links between home, wellbeing and state-of-the-art technology.
Words: Kate Coughlan Photos: James Balston
Some might argue that a 65-square-metre apartment, without any side-facing windows, might best be decorated in calm, pastel tones to enhance its sense of space.
“Oh yes, some might say that,” agrees designer Neil McLachlan who has more than once surprised and delighted NZ Life & Leisure readers with his creativity.
“But not me. Oh no, I’ve gone for visual illusion — all the way. It’s mad, it’s fun, and it is fair to say that I would not necessarily wish to live in the space for 365 days a year. But then, I don’t have to.”
Neil’s international interior design business takes him around the world, with clients in several European countries as well as Australasia and North America.
He blames “a certain magazine editor” (indeed, the author of this story) for recommending he buy a bolthole in London given the amount of time he spends there. His excitement, once he began looking, grew with the realization that London property represents excellent value in this post-Brexit era.
“I expected a hovel when I first saw the online ad for an apartment in Russell Court, a very handsome mansion block and a great London address. For an affordable flat in that area, I thought it must be a basement dump. However, it is a wonderful space in a courtyard behind the block — in the original workshops. Even though it has no side windows, there are huge overhead windows.”
In Neil’s world, there are three non-negotiables for a decent living space — light, volume and architectural elegance. In this lean-to toolshed for a London mansion block, he found the holy trinity. Since opening his magician’s box of smoke and mirrors, he has transformed every centimetre into a useful two-bedroom, two-bathroom home away from home.
Neil says the Edwardians were crazy about palms and loved having aspidistras everywhere, so he has happily followed their lead.
The wild, palm-covered wallpaper comes from Transylvania (where else?) and is called The Orangery, the chateau doors came from France via eBay, and the two elegant framed birds were discovered in a quirky little shop in nearby Covent Garden.
“I found everything locally or on eBay. It’s been such fun hunting around. Those barmy bird engravings were just 20-centimetres high but, with technology, I was able to copy them and have them blown up to this enormous size for framing.
“Gorgeous, original artworks with presence. Just like that. One bird looks as though it is wearing antique wooden skis, and the other is dressed for a formal dinner party.”
Neil’s reinvention of this space attracted the interest of his lifelong friend (and former Aucklander) Maxine Hamilton Stubber, whose long-standing, London-based 21-year career in wellbeing and osteopathy includes regular clinics in Buckingham Palace, treating the Royal family and members of the household.
Maxine knew from her business WOW (We Own Wellbeing) that people need time-out from the hectic bustle of life. In response, she and Neil and a third partner, graphic designer Tom Roberts, launched room 2 breathe (r2b) to provide wellbeing “awakening spaces”.
“Maxine describes them as ‘consciousness hacking spaces’; places where people can recalibrate their mind and integrate their whole state of being,” says Neil.
“The premise is to create an environment that transports people completely, so they shift consciousness and meditate. Such spaces allow people to go to a different level of being. To launch the project, I had to volunteer up my bedroom as the prototype space.”
The bedhead in the master bedroom folds down to create a meditation platform, bathed in light from a backlit three-dimensional tetrahedron that uses Arc Crystal technology developed by the Resonance Science Foundation, says Maxine.
The foundation, a global non-profit based on the theory of unified science by physicist Nassim Haramein, maintains that everything in the world is connected.
“Another r2b signature element is art,” adds Maxine. “For example, for the prototype, we used an ori”ginal photograph of a jetty stretching into still waters by Nelson artist and photographer Craig Potton.
“Several influential British businesspeople have come to visit the space and talk about the project as potential backers and investors.”
Maxine says the timing is right for the business. “We are at an interesting time in human history, which doesn’t necessarily mean getting answers to our questions but asking different questions — a time for stillness, reflection and contribution,” she says.
“It’s inspiring to be collaborating with Neil, who is a lifelong treasure, in this new venture. R2b offers breath work and meditation drop-in classes with not only traditional teachers but also the latest in technology, giving live bio-feedback from the brain and heart — hacking consciousness.”
“This is not just a money-making idea,” adds Neil, “but a genuine belief that the world is in such a crazy state that people need a sanctuary. People’s homes are no longer the peaceful places of respite they once were thanks to the wretched phone and laptops.”
Creating spaces which, in old parlance sound remarkably like churches (“peaceful places of solitude where world noise is pushed back, and the environment is conducive to contemplation”) is not just a “hippy-dippy idea” but part of an international movement.
“This idea is topical worldwide, with people recognizing that technology can be embraced healthily,” says Neil.
“People are beginning to treasure handmade items again [r2b meditation cushions are individually made and embroidered by British charity Fine Cell, which supports prisoners], seeking unique pieces and bringing foliage and plants into their homes.
“They are looking to nature again to nurture wellbeing and health.”
A WALK THROUGH RUSSELL COURT
Russell Court, just off Russell Square in London’s Bloomsbury area of Camden, was built in 1937 for £250,000 and houses 500 individual flats.
It is considered an excellent example of Art Deco architecture — a style that arose following the 1925 International Exposition of Modern Decorative and Industrial Arts in Paris.
The trend was short-lived; World War II brought it to an abrupt end, leaving early skyscrapers, cinemas and some public buildings including BBC House in London as its finest examples.
The famous gardens designed by Humphry Repton (1752–1818), were commissioned in the late 1700s by the area’s predominant landowner of the day, the fifth Duke of Bedford.
The gardens were among the largest in the district, with lawns and tightly clipped hedges of privet, hornbeam and limes providing screened and secluded walking areas.
In 2002, the gardens were restored to their original layout after many changes in the preceding 200 years.